1/24: How does Eisenberg compare/contrast the relationships that records and radio enact between individual and society?
1/29: See the two links to film clips below. According to Benjamin: What is “aura”? Would Benjamin evaluate these as “auratic” works?
1/31: What are some of the ways in which Gould believes that new recording technologies and techniques can improve the production and experience of (classical) music? What’s at stake for those who disagree with him?